Tomáš Kowalski (Monuments Board of the Slovak Republic, Bratislava), ‘Conference report on: Max Dvořák and the “ Denkmalpflege”, 13 October 2021, Monuments Board of the Slovak Republic’ 26/TK1Įlizabeth McGoey (Art Institute of Chicago) and Elizabeth Siegel (Art Institute of Chicago), ‘ Photography and Folk Art at the Art Institute of Chicago: new models for exhibitions and scholarship’ 26/EMcG1ĭiscussion about Matthew Rampley, ‘Networks, horizons, centres and hierarchies: on the challenges of writing on modernism in Central Europe’, special issue of Umění: Journal of The Institute of Art History, Czech Academy of Sciences, 69:2, 2021, edited by Steven Mansbach. Jonathan Blower (Independent, London), ‘Max Dvořák, Wilhelm von Bode, and the Monuments of German Art’ 26/JB1 Gombrich †, ‘Reflections on teaching art history in art schools paper given, 4th January, 1966’ 26/EHG1 Tommaso Zerbi (Bibliotheca Hertziana), ‘”Neo-Medievalism Studies”, Italy, and the Four Ghosts: architectural history and the study of medievalism’ 26/TZ1Į. ![]() ![]() Jindřich Vybíral (Academy of Arts, Architecture and Design (UMPRUM) in Prague), ‘A man of many gifts and the anti-materialistic struggle in the arts: Ferdinand Feldegg’s monographs on Friedrich Ohmann and Leopold Bauer’ 26/JV1Īmanda Wasielewski (Stockholm University), ‘Interfaces of art: Meyer Schapiro, Fernand Léger, and the role of the art historian in anachronistic artistic influence’ 26/AWa1Īlex Weintraub (Columbia University), ‘Perpetual iridescence, or Impressionism’s minor harmonies’ 26/AWe1 Samuel O’Connor Perks (Independent, Leuven), ‘Between mysticism and industry: Breuer, the Benedictines and a binder‘ 26/SOP1 Hans Bloemsma (University College Roosevelt, Middelburg), ‘Henry Moore and the historiography of early Italian art’ 26/HB1Ĭhiara Cecalupo (Universidad Carlos III de Madrid), ‘The study and dissemination of an iconography: banquet scenes from the catacombs of Rome to the facsimile catacombs of the nineteenth century’ 26/CC1 Gaia Schlegel (Università della Svizzera italiana and the Philipps-Universität Marburg), ‘Competing images: illustrated volumes by Max Dvořák and his contemporaries shaping national Art History’ 26/GS1 Katja Mahnič (University of Ljubljana), ‘Max Dvořak and the founding of the “Ljubljana School of Art History”’ 26/KM1 The Influence of the Vienna School of Art History II: The 100th Anniversary of Max Dvořák’s Death, Part 2 with the editorial assistance of Tomáš Murár (Czech Academy of Sciences) Schaefer (University of Wisconsin-Milwaukee), ‘Bibles unbound: the material semantics of nineteenth-century scriptural illustration’ 26/SCS1 The Print in the Codex: Guest edited by Jeanne-Marie Musto (New York Public Library) Translation: Barbara Steindl (Kunsthistorisches Institut in Florenz, Max-Planck-Institut), ‘Collecting art books: the library of Leopoldo Cicognara and his bibliographic system’ 26/BS2 Studies on the Cicognara Library, Part 1 of a series: Guest edited by Jeanne-Marie Musto (New York Public Library)īarbara Steindl (Kunsthistorisches Institut in Florenz, Max-Planck-Institut), ‘The early years of Leopoldo Cicognara’s book collection’ 26/BS1 Patel (University of Pennsylvania), ‘Translating texts, translating readers: could Andy Warhol’s writings be translated into Indian languages?’ 26/DMP1 ![]() Jean Wainwright (University for the Creative Arts, Surrey), ‘Translating Warhol for television: Andy Warhol’s America’ 26/JW1ĭeven M. Nina Schleif (Staatliche Graphische Sammlung München), ‘ Schnecken, Schlitzmonger, and Poltergeist: Andy Warhol in German-translations and cultural context’ 26/NS1įrancesco Guzzetti (University of Florence), ‘ La Filosofia di Andy Warhol and the turmoil of art in Italy, 1983’ 26/FG1Īnnika Öhrner (Södertörn University), ‘Warhol in translation, Stockholm 1968: “many works and few motifs”’ 26/AO1Įlaine Rusinko (University of Maryland, Baltimore County), ‘Andy and Julia in Rusyn: Warhol’s translation of his mother in film and video’ 26/ER1 ![]() Jean-Claude Lebensztejn (University of Paris I-Pantheon-Sorbonne), ‘Warhol in French’ 26/J-CL1 Reva Wolf, ‘Translating Warhol: turbamento, transmutation, transference’ 26/RWf1 Translating Warhol: Guest edited by Reva Wolf (State University of New York at New Paltz)
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